A Good-quality DSLR Under $500 To Film A Music Video

A good-quality DSLR under $500 is versatile and could produce quality videos. DSLR cameras are usually the option mad by people wanting to create a short film or music video.

 

Although compact recorders, professional video cameras, even smartphones could be used, they all have their own features which makes them a good choice as well. However, most DSLRs have the capacity to handle whatever you intend to use it for. But, similar to other cameras, it has its drawbacks as well – audio recording isn’t that good.

 

Filming A Music Video

 

Then again, although audio isn’t that good, you will still be able to shot good music videos with a good-quality DSLR under $500. To help you with this, below are some tips to consider to create excellent music videos.

 

Look for the Proper Type of Music. At times, you could pick the songs to film and sometimes it’s the band, the singer or the record company who would make that decision. You will be able to get more creative when the songs are right and in your interest.

Create a Concept for the Music Video. Before picking your camera to start filming, you should formulate a concept, a plan for you to be more cohesive and creative in your concept. To discover and give you an idea, listen to the song, know the feelings it evokes and act on it. Watch various music videos and observe how experienced music video makers approach such content. Get to know who your audience are as well to make it age appropriate and that your concept would appeal to them.

Determine Your Format. A lot of music videos make use of visual storyline, some on footage of performances, whereas others make use animations, real actors, or stock footage to convey a story.

Have Good Lighting. Most of the time, a good and proper lighting makes a huge difference, and would make your music video more professional looking. At times, lighting is usually disregarded especially when producing a music video on a budget. However, even if you are on a budget, you could still rent or invest in affordable lighting that actually does its job.

 

Does Music Affect Plant Growth?

Many say that playing music for plants speeds up their growth.

Is this a or another hearsay. Do plants react when we play music? Is there an advantage of playing music while planting? Some researchers claim that playing music to plants helps them grow quicker. Aside from this, plants are healthier and robust. An Indian botanist conducted several experiments in the year 1962. He experimented with plants and music. In his research, he found out that some plants grew faster with the presence of music. Aside from this the plants exposed to music has a greater volume than those not exposed. A greenhouse owner from Colorado also conducted an experiment involving plants and Music. She played different genres of music to different varieties of plants. Her observation was, plants exposed to heavy metal rock died faster. While plants exposed to classical music are more likely to grow longer and healthier. A person from Illinois was doubtful that plants react to music. He also engaged in some experiments involving plants and music. Astoundingly, he discovered that soy and corn plants exposed to music were healthier. He was happy since it resulted in a better harvest.

The Effect of Music on Plant Growth

 
Vibrations, according to some Canadian researchers are the ones affecting the plant. Plants exposed to high frequency vibrations resulted to greater harvests. We ask the question of how does music affects the growth of plants? To better understand this it’s the vibration and not the sound created by music. The vibrations from the sound waves of music are the ones affecting the plants. How is this possible? Further studies have shown that vibrations process movement in its cells. This stimulates the plant to make more food they need. With the help of these sound waves nutrients are faster to produce. It was earlier mentioned that plants negatively react to rock music. Vibrations produced by these types of music can produce great pressure. This high pressure are not good for some plants.
 
For some Researchers, like those at the University of California. They try not to conclude that this is true yet. For them there is no scientific evidence to claim this. They believe that more scientific study is required. They took to consideration other factors such as lighting, moisture and soil composition. They claim that plants exposed to music develop well. The ones planting may be happily planting while listening to music. Because of this the plants receive tender loving care and more attention from those who planted them.
 
Many people have been locked down because of this pandemic. Many have started to grow plants in their home. Now it’s a great idea to give your loved ones especially your mother plants for her to enjoy. Here are more great gift ideas for moms who are nearing their retirement. https://www.youreviewit.com/gifts/occasion/best-retirement-gifts-for-mom/
 

Remembering Germany’s Studio for Electronic Music and Its Significant Contribution to the Music Industry

The Studio for Electronic Music (SEM) of the Westdeutscher Rundfunk (WDR) a German public-broadcasting institution, is an important element in the development of electronic music. Founded in October 18, 1951, SEM was the first of its kind music facility, founded on the concept of mixing electronically synthesised sounds to introduce a new genre of music.

Principal Innovators of Electronic Music

The concept of establishing a studio for creating electronic music was the brainchild of three people: Werner Meyer-Eppler, Robert Beyer, and Herbert Eimert. who for years had developed and experimented on the technical requirements for creating electronic music.

Werner Meyer-Eppler (April 30,1913 – July 08, 1960) was a Belgian-born German physicist who held lectures at the Institute for Phonetics and Communication Research of Bonn University. He was also well-known for being an experimental acoustician, a phoneticist and information theorist. The development of the basic processes of electronic music, particularly the creation of musical compositions directly on magnetic tape, is attributed to Meyer-Eppler’s experiments at the Bonn Institute.

Herbert Eimert ( April 08,1897 – December 15, 1972) was a composer, radio producer, journalist, and musicologist, who had served as the first director of the Studio for Electronic Music. Since his youth, Elmert had a penchant for revolutionizing music by organizing concerts using noise instruments. During the 1920s he wrote a book that delved on the theory of atonal music, which unfortunately resulted from his expulsion from a composition class at the Cologne Musikhochschule.

Robert Beyer, a professional sound mixer had worked at the WDR at the time of founding, as a sound editor. He brainstorned the concept of electronic music with Eppler and Elmert, by bringing forward his ideas about timbre-oriented music.

Through the years of experimentations and development of instruments that made electronic music a new music genre, the studio became home to musicians, composers and artists coming from all over the world. They were welcome to use the latest equipment, albeit the technology at the time was limited to instruments for mixing usual soundtracks as a means of creating original compositions. Nonetheless, the instrument is still in wide use up to the present.

https://youtu.be/TKBY0vUUZko

Artists used the Studio for Electronic Music to produce electronic music until its closure in 2000. In October 18, 2017 Google Doodle marked the importance of the studio in the history of music, by altering the Google logo to mark the studio’s 66th anniversary.

Electronic Music : A Peek into Tomas Barfod’s Brand of Music

Electronic music is basically musical sound produced by electronically processing vibrations, like those created by electronic oscillators coming in waveforms. They are then recorded and edited and subsequently reproduced with the use of loudspeakers. Generally, electronic music is sound captured in tape, to be edited and recorded later into a more permanent form.

This type of music can now be produced and performed as “live electronic music,” played back as it is through loudspeakers, often times in combination with other musical instruments including vibrations coming from some chance elements. Using software, the composer then develops the electronic sounds into a musical composition.

This is the world of music into which Tomas Barfod, a drummer and a dance music DJ had evolved in, ever since electronic music captured his interest and musical imagination.

Who is Tomas Barfod?

Tomas Barfod, is a native of Copenhagen whose introduction to music as a drum-playing 10-year old youth initially led to a career as drummer of the duo Filur with feĺlow Danish, Kasper Bjorke. In 2003, together with Tomas Høfting (singer and bassist) and Jeppe Kjellberg (guitarist), Tomas as drummer, founded the “WhoMadeWho” band.

After nearly ten years of musical experience as band drummer, Barfod started producing his own music. In 2012, he debuted as a solo electronic music artist by releasing “Salton Sea,” an album containing a mesh of sophisticated electronically produced music. Barfod describes “Salton Sea” as some kind of laptop album, which he hardly expected to reap acclaim and praises.

The success of his debut album, set a higher bar for his next project. To which Tomas devoted extra time in working with analogue instruments, and in developing string arrangements with “WhoMadeWho” guitarist Jeppe Kjellberg.

Year 2014, saw the release of Barfod’s second album, “Love Me,” where his coalescence of anàlog and real music were enhanced by the vocals of Nina Kinert (Pulsing), by singer-songwriter Luke Temple (Bell House) and by twitching of synths by Eddie Chacon (Happy). “Love Me” is multi-textured as it presents electronic music experience between danceable sounds softened by Nina’s soft, evocative croon.

After “Love Me,” Tomas Barfod released two more albums: “Glory” in 2015 and “Paloma” 2017.