Electronic Music

What is it about Music that Attracts People to it?

Aleck Toro Lawrence Electronic Music, music , ,

Everyone loves music – that universal language that connects all of us. Music triggers emotions, stirs thoughts and imagination and evokes memories. This is the same reason why when someone makes an RPG game, music is carefully crafted to make the most impact on it. It is one of the most powerful ways to connect with other people and share experiences. The ability of music to affect us, lure us in and inspire us has made it a common thread running through human cultures for thousands of years.

Many researchers have tried to unravel the underlying reasons why we respond so strongly to music. Perhaps our brains instinctively seek patterns as a way of enhancing our survival? Perhaps certain sounds trigger such an emotional response in us that they penetrate every part of our being? Whatever the answers are, there is no denying that music has the potential to bring people together—and not just in a superficial way either!

How to Create Emotional Music?

There are no specific rules or techniques that can be used to create emotional music. So what can be used as a guide?

Start with a clear objective: What do you want the music to evoke in your listeners? Taste, culture, mood, feeling?

Decide on an approach: What type of music are you going for? Jazz? Pop? Rock? Do you want to create something for work? Something for a party? For a wedding? For an event? For an advertisement?

Find a perfect match: Find a song that perfectly fits the objective and the approach. For example, if you want to create music for a wedding, find a song that perfectly fits the culture and taste of the couple.

How Music can help Build Employee Morale?

Employees who feel supported and appreciated are more likely to perform well. They are also less likely to leave their job and more likely to stay if they were given bad news. Positive emotions always translate to positive actions!

This is beneficial to the employer because the employee is more likely to stay on board. It is beneficial to the employee because they are more likely to maintain a positive emotional state while on the job.

The Importance of Music in Video Games

Comforte Boileau Michelle Electronic Music, music ,

music-game

The History of Video Game Music

The first notes to the game were already in the 70s. The game “Pong” was revolutionary at that time an electronic table tennis game that Atari developed for slot machines in arcades and in which the sound of the ball could be heard. Technically, at that time and up until the 1980s, little was possible and it also required a great deal of programming effort, because the storage space on these devices was simply too little all sounds had to be shared with the image.

Historical and newly produced classical music still plays an important role in popular games today. But at the same time, countless pop stars have also found the opportunity to spread music to predominantly young target groups of enthusiastic gamers. This led to the development of soundtracks, Spotify playlists, and entire live concerts as part of a popular gaming event. ..

 

Video Games Music Features

Video games are essential without music, but like movies, they even have core features. There is a distinction between games that make the player a star, such as “Guitar Hero,” “Let’s Dance,” and Oculus Quest’s VR experience “Beat Sabre,” and games where music contributes to the mood and provides specific gameplay. Get the player’s attention. For example, in Age of Empires, the sound of sirens and battle horns is displayed as a warning to release the eyes from strong visual stimuli and move them to the ears.

Complex sounds and configurations are now used in the area of ​​slot machines. Above all, the adventure game “Book of Ra” is well known, and the mysterious sound set in ancient Egypt makes the gaming experience even more appealing. Gambling orchestra music is so popular that YouTube provides a soundtrack, which enthusiasts often use as a ringtone for their smartphones. Music also plays an important role. Especially on slot machines, of course, initially in the casino area, in addition to visual stimuli, auditory elements also need to control the player’s perception, and unpleasant noise from noisy environments needs to recede into the background.

 

Game Music Composition Center

Most of the major video game makers come from the United States and Japan, so most composers are based in these countries. For example, Masato Sakurama, who is famous as a musician and producer in his hometown, also produced soundtracks for “Sonic the Hedgehog” and “Sonic the Hedgehog 2”. Koji Kondo, mentioned earlier, was in charge of not only the sound of the “Super Mario” series but also the composition of the “The Legend of Zelda” series. Among other things, the Zelda titles “Breath of the Wild” and “Ocarina of Time” were awarded for their monumental songs and are one of the most successful soundtracks in the gaming industry.

Conclusion

Video game music has many meanings that can draw players into action, make the experience more authentic, announce specific game actions, and make the game easier. Above all, it’s now a unique genre, a marketing strategy that favors the musicians themselves. Visit inversegamer for more video games.

Changing Tunes: Playing an Instrument

Comforte Boileau Michelle Electronic Music, music

A trip to a music store or training studio, where you can listen to or play instruments, will give you the desired palette of sensations and help you feel what you like best: working with the rhythm, filling the space with sound, accompanying or inventing your own sound.

 

 

Black keys on the piano are able to give a peaceful sound; the acoustic guitar can be played like a piano; the violin can sound wonderful as a plucked instrument (the same guitar), and the drum kit can serve as any surface, including your own body. A person, even with zero musical experience, can play a beautiful melody a few minutes after picking up the instrument, if the teacher explains how it works.

 

What instrument can you quickly learn to play

 

The difficulty of learning is rather determined by the complexity of those works that the student chooses as a reference point. Bach’s fugue will be harder than a U2 hit, but contemporary popular music can be tricky to repeat. One can argue that it is more difficult to play the piano than the bass guitar, but, as practice shows, much depends on the student’s musical and fingering thinking and his physical characteristics. The latter is not an obstacle to mastering the instrument.

 

Should I buy the tool right away?

 

Without homework, you can hardly expect significant progress. If you can afford to buy a tool once, or you are not sure you will study hard, wait off the purchase for the first few weeks. Watch the process to see if you have time to study at home, and if you want to get an app made hiring an app development company can help with that.

 

What goals can an adult learner achieve?

 

Most often, people pursue three goals: to learn how to perform specific works, to master the technique of playing an instrument, or to compose music. Ideally, the learning process is based on these three pillars. It happens that it is enough for a person to learn 7-10 popular songs to play in a company, and this is where the learning process ends.

 

In any case, all goals in the end come down to either speaking in public or playing for yourself. In the second case, music can become a psychotherapeutic tool that can help cope with stress and realize creativity.

What instruments can you learn to play on your own

 

You can learn almost any musical instrument on your own: there are more than enough online lessons on the web. A teacher is needed at the initial stage and if desired to grow, when the student seeks to go beyond what he has already learned.

 

In European countries, such a trend as “musical somatics” is popular, when in the classroom, special attention is paid not to the selection of melodies, but to how comfortable the musician is, whether the instrument becomes a means of relaxation for him or the cause of painful blocks and constrictions.

 

The Chainsmokers : World’s Highest Paid DJs

Mathilde Riel Ciel Electronic Music , ,

In Forbes’ annual list of “Electronic Cash Kings” for the year 2019, The Chainsmokers came out on top for having grossed a total of $46 million in earnings.

Not surprising at all, since the year saw the dynamic pair of Alex Pall and Drew Taggart comprising The Chainsmokers EDm duo, swamped with festivals and private show engagements, on top of fulfilling the third year of their 3-year residency contract with Wynn Nightlife’s nightclubs, XS Las Vegas and Encore Beach Club. The sum totaled by Forbes, also includes earnings from music record sales and endorsements.

It must have been written in the stars that the two EDM talents are destined to meet each other, and to work successfully together. How else to explain, how two people born and raised miles apart in the U.S. and with a 4-year gap between their birth years, would become the elite pair of EDM artists in today’s highly competitive music industry.

Is Alex Pall’s personality, who was born May 16 under the Taurus zodiac, really compatible with Drew Taggart’s Saggitarian (born December 31) disposition? Astrologers say the zodiac combination is indeed compatible. Mainly because of the 12 zodiac signs under which people are born, those born under the Sagittarius and Taurus sun signs, are the most driven by the desire to fulfill ambitions in ways they believe is most unique to them.

Individually, Drew and Alex possess the talent and skills, but it seems they also have the right blend of personalities that would enable them to work together harmoniously. Moreover, their destiny as EDM deejays must have been linked, since The Chainsmokers did not start out with Alex Pall and Drew Taggart as pair.

The Chainsmokers Background Info

Alex Pall, who in 2012 was still working in an art gallery in New York, founded The Chainsmokers EDM duo with another deejay, Rhett Bixler. Through their manager, Adam Alpert, the original pair had worked 5 nights a week, via 5-hour sets in New York bars and clubs at $200 per set. However, Bixler quit in the same year. Rather than be disparaged, Alex Pall quit his art gallery job, bought the rights to The Chainsmoker franchise and looked for another partner.

In 2012, Drew Taggart on the other hand, was still working as an intern at Interscope Records while attending Syracuse University. Taggart, who has had some experience and exposure in EDM and in deejaying in Argentina, had heard from one of Alpert’s staff about the vacant Chainsmoker spot. The rest is history when Drew Taggart presented himself to Alpert, to which the latter was apparently impressed enough to introduce and recommend Drew Taggart to Alex Pall.

The Chainsmoker re-formed with Alex and Taggart as partners, and soon enough released a remix of “Medicine” by Daughter in April 2013. The release quickly rose to the number one spot on Hype Machine’s list of most loved music. Little did the two know that their combination was headed for more success in the years ahead.

The Chainsmokers and Their String of Early Successes

The 2014 “Selfie” song became a top twenty single not only in the U.S. but in several countries as well.

Their debut Extended Player (EP) “Bouquet,” released in October 2015 and its single “Roses” catapulted to the top 10 of US Billboard’s Hot 100 chart.

 

“Closer”, which the duo produced and released in July 2016, featuring singer-songwriter Halsey, became their first Number 1 single on the Billboard Hot 100 and stayed at the top spot for 12 consecutive weeks in more than 10 countries.

Also in 2016 “Don’t Let Me Down” featuring Daya, another Billboard chartbuster, won the “Best Dance Recording of The Year” in the 59th Grammy Award.

The year 2016 was incredible for The Chainsmokers, as they also won the American Music Awards’ recognition for being the “Favorite Electronic/Dance Music Artist” and “Best Collaboration” of the year.

Year 2017 was even better as Alex and Drew’s The Chainsmoker teamup bagged the American Music Awards “Artist of the Year” and “Favorite Pop/Rock Band/Duo/Group” titles.

Pointers to Remember When Setting Up Business as a Live Sound Equipment Provider

Mathilde Riel Ciel Business, Electronic Music ,

Thinking of runniing one’s own live sound equipment company is a goal worth setting your sights on while living at the Gold Coast. After all, the city is alive 24/7 with Ozzie pubs, stylish cafes and bars where hipsters would just love to have Instagram photos taken.

Those looking to experience sharing and jamming their musical talents with others go to the best place to be in Gold Coast .. at the Home Of The Arts or HOTA. The place is a favorite haunting ground for talent searchers since this is where budding local performers hold concerts. The Outdoor Stage for one is a perfect venue for live events, being set in a large lawn with no gates and built with technical infrastructures.

 

Fulfilling one’s dream of being a provider of live sound equipment requires more than just knowledge of how every piece of equipment work, in order to produce the best audio quality with maximum efficiency. Things are not as easy once you have to deal with competition. You have to face the fact that you are not the only one who has entertained plans of setting up a company that can provide live sound equipment.

Some Important Pointers When Offering Live Sound Equipment as a Business

In any kind of business endeavour, it is quite important for you to establish your target market. That way, you will know how and to whom you will promote your business because you cannot go far by just waiting for someone to dial your number and do business with you. Knowing your competitors would be a great way to find out why performers or venues are choosing them and from there, think of ways on how you can make a difference.

It is likely that you already have established connections with local groups within your area. The fact that you are venturing into the business suggests that you have some degree of experience and expertise in providing this type of service.

One thing to always remember is that when putting your money into this business, make it a point to also put your heart into it. Treat performers you work with, with respect; keeping in mind that once they go out on stage, a great deal of their performance depends on the reliability of your equipment.

Do not forget the importance of financial planning. It is wise to have a financial model that will help you work out how much to charge and how many engagements you have to clinch in a month to get a reasonable rate of return on your investments. Since some performance markets might already be saturated, consider exploring other locations as they could have unexplored potentials.

Lastly, it always pays to have a backup plan in case some unforeseen crisis crops up. It would be wise to tie up with a reliable transport company or even a furniture removalist, if you are to venture into bringing your live sound equipment out of town. Still, you have to make sure you are contracting a removalist who has experience in handling and moving live sound equipment.

Activist EDM D.J. Marea Stamper a.k.a.“The Black Madonna” Drops Out of Amazon-linked Intersect Festival

Mathilde Riel Ciel Electronic Music, Music Career ,

Marea Stamper, otherwise known in the EDM world as “The Black Madonna”, had her name and booking removed from the forthcoming Intersect music and art festival in Las Vegas, after learning of the event’s association with Amazon.

Also, well-known in the music industry as a D.J. activist, Ms. Stamper explained via a published statement that her issue with Amazon, is not just a matter of her ideology as “The Black Madonna.”

As a professional, she believes that linking her work with a company that has ties with the US Homeland Security, particularly its Immigration And Customs Enforcement (ICE) bureau, is an ethical and moral violation of her work and faith; and most importantly, an act of transgression against the people with whom she identifies.

Had she been informed of any Amazon branding, “The Black Madonna” said she would not have accepted the offer to perform at the Intersect festival. Ms. Stamper said she continues to stand in solidarity with the workers, immigrants, demonstrators, tech laborers and all people of conscience calling for corporations to end their collaboration with the said U.S. department and agency.

As a matter of fact, she is quite disappointed that the event organizers who approached her with the offer would think she would allow herself to become part of an Amazon brand-partnering. As it was, she learned about Amazon Web Services’ involvement only during the promotion of the event.

In response, Amazon’s cloud computing platform, Amazon Web Services (AWS) issued a statement with Pitchfork, saying that their affiliation with Intersect Festival was clearly indicated in the contract signed by Ms. Stamper. AWS’ claim though, was refuted by Ms. Stamper through a document provided to Resident Advisor dot net, as proof that the contract she signed did not include any mention of Amazon or AWS’ involvement.

Marea Stamper’s Background before Emerging as a Celebrated EDM Deejay

Marea Stamper went from obscurity to fame in the EDM world by starting out as a peddler of mixtapes compiled by deejays of the Midwestern underground rave scenes during the late 90s. The experience gave her the skills in blending mainstream pop tunes, hard-edge bangers, soulful disco and obscure remixes that earned her acclaim as one of the most exciting D.J.s in the EDM scene.

https://youtu.be/S6SBFC0V2lA

In 2016, Mixmag, the dance-music magazine, named “The Black Madonna” the D.J. of the Year. The following year, she cemented that reputation by closing the 2017 edition of Spain’s Sónar music festival with a euphoric set of excellently blended eclectic music.

Electronic Dance Music Parties Draw Further Attention as Popular Haunts for Opioid Users

Mathilde Riel Ciel Concert, Electronic Music ,

Electronic Dance Music (EDM) parties have drawn attention as popular haunts of opioid users. So much so that a study conducted by the Center for Drug Use and HIV/HCV Research (CDUHR) at the Meyers College of Nursing at NYU, suggests the need to focus on this increasingly popular scene as part of continuing efforts to reduce the harms caused by the growing opioid crisis.

 

The study revealed that in the past year, one (1) in 10 EDM party attendees have misused opioids beyond the national average. Estimates made in 2016 showed that nearly 11.5 million American individuals had misused opioid drugs intended as medical treatment. About 1.8 million of the users met criteria for drug abuse or dependence.

The alarming rise in opioid use has reached epidemic proportions in the United States. Growth in opioid drug misuse has been touted by health and disease control authorities as a main driver in the resurgence of heroin use, and other related adverse occurrences such as the spread of Hepatitis C and HIV. and Hepatitis C.

Researchers emphasized that the study was conducted mainly on EDM party attendees as a means of highlighting the need for preventive measures concerning the high-risk group of people using opioid drugs. They made careful note that their findings, does not necessarily apply to the general population.

Researcher for the CDUHR and lead author of the study, Joseph Palamar, PhD, MPH, who is also an associate professor at the NYU School of Medicine for Population Health, contends that there is a need to reach this population of opioid drug users frequenting the EDM party scenes…

in order to prevent initiation and continued use, as such conditions can lead to more frequent and riskier use, dependence, and at worst, deleterious outcomes like overdose — specifically when opioids are taken in combination with other drugs,”

EDM Party Scenes as Main Focus of the CDUHR Study

The party vibes in such EDM scenes, widely known as “raves” are largely characterized by the use of electronic dance music, ostensive use of drugs, massive crowd and the free-from-restrictions environment.

CDUHR researcher Joseph Palamar said that they have always known that attendees of EDM parties are at high risk of being exposed to the use of club drugs like Molly or ecstasy. The focus on EDM scenes is the need to know the extent of opioid use in this particular population.

During the summer of 2017, the CDUHR researchers observed and interviewed 954 individuals in ages ranging between 18 and 40, poised to enter EDM parties at different dance festivals and nightclubs in New York City. Interviews revealed that almost 23.9 percent of EDM party goers have taken opioids non-medically in their lifetime; 9.8 percent of which had done so in the past year.

The recent findings are higher than the previous statistics on national prevalence, which approximated only 4 percent of adults, aged 18 years and older, while only five percent of the survey respondents admitted to misusing opioids in the past month.

Opioid non-medical use or misuse, denotes having used any one of the 18 types of known opioids, namely codeine, fentanyl, heroin, OxyContin, Percocet, and Vicodin, for purposes of getting high or in other manner not medically prescribed. At EDM parties, the highest report on opioid use was attributed to OxyContin, followed by Vicodin, Percocet, and codeine syrup usually as a concoction to party drinks like Purple Drank, Sizzurp or Lean.

Remembering Germany’s Studio for Electronic Music and Its Significant Contribution to the Music Industry

Mathilde Riel Ciel Electronic Music, muaic ,

The Studio for Electronic Music (SEM) of the Westdeutscher Rundfunk (WDR) a German public-broadcasting institution, is an important element in the development of electronic music. Founded in October 18, 1951, SEM was the first of its kind music facility, founded on the concept of mixing electronically synthesised sounds to introduce a new genre of music.

Principal Innovators of Electronic Music

The concept of establishing a studio for creating electronic music was the brainchild of three people: Werner Meyer-Eppler, Robert Beyer, and Herbert Eimert. who for years had developed and experimented on the technical requirements for creating electronic music.

Werner Meyer-Eppler (April 30,1913 – July 08, 1960) was a Belgian-born German physicist who held lectures at the Institute for Phonetics and Communication Research of Bonn University. He was also well-known for being an experimental acoustician, a phoneticist and information theorist. The development of the basic processes of electronic music, particularly the creation of musical compositions directly on magnetic tape, is attributed to Meyer-Eppler’s experiments at the Bonn Institute.

Herbert Eimert ( April 08,1897 – December 15, 1972) was a composer, radio producer, journalist, and musicologist, who had served as the first director of the Studio for Electronic Music. Since his youth, Elmert had a penchant for revolutionizing music by organizing concerts using noise instruments. During the 1920s he wrote a book that delved on the theory of atonal music, which unfortunately resulted from his expulsion from a composition class at the Cologne Musikhochschule.

Robert Beyer, a professional sound mixer had worked at the WDR at the time of founding, as a sound editor. He brainstorned the concept of electronic music with Eppler and Elmert, by bringing forward his ideas about timbre-oriented music.

Through the years of experimentations and development of instruments that made electronic music a new music genre, the studio became home to musicians, composers and artists coming from all over the world. They were welcome to use the latest equipment, albeit the technology at the time was limited to instruments for mixing usual soundtracks as a means of creating original compositions. Nonetheless, the instrument is still in wide use up to the present.

https://youtu.be/TKBY0vUUZko

Artists used the Studio for Electronic Music to produce electronic music until its closure in 2000. In October 18, 2017 Google Doodle marked the importance of the studio in the history of music, by altering the Google logo to mark the studio’s 66th anniversary.

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